A Career In The Arts: Idealized or Ideal?
Discussing the Nuances of pursuing an art career and dealing with jealousy
My whole life, I’ve wanted to be an artist. When I went to Fine Arts School, it wasn’t really talked about that many of us would end up working service industry jobs after graduation, making art “on the side.” Some of us have jobs in the arts, and maybe 1 or 2% are making art full-time—which, for most of us in my cohort, was the dream. Or at least, it’s what we imagined being a “real” artist meant.
Being an artist in America is wrapped up in a capitalistic narrative that says you’re not really one unless you can financially support yourself doing it. Which, let’s be real, not many people can. Logically, I know you’re an artist if you make art. But the competitiveness and scarcity mindset of capitalism tells us otherwise.
Even though I understand all of this, and I’m still quite young, I still beat myself up for not achieving what often feels like an impossible goal. That feeling of low self-worth only deepens when I get rejection emails week after week, when I compare myself to peers, scrolling through social media, and seeing handfuls of content romanticizing being a full-time artist.
If you’re an artist or creative, you’ve probably stumbled across YouTube videos with titles like:
“How I Made $15,000 This Month Selling My Art | You Can Do It Too!”
“A Day in the Life of a Self-Employed Artist”
“Financial Breakdown: How I Make Money as a Full-Time Artist”



Maybe these videos are algorithmically targeted just for me, but I have a feeling a lot of us see them.
The content is typically a dreamy montage: someone starts their day with matcha and journaling, makes a yummy breakfast, then dives into their art practice, documenting it all with aesthetic lighting and lo-fi music. They break for lunch, take a calming walk, open a PO box full of fan mail or free art, and go back to creating. I do enjoy watching this kind of content—it’s cozy, relaxing, and aspirational. But after watching, I often feel a wave of self-loathing or jealousy.
Why can’t that be me?
How do I get to that point?
Is that the dream and final form of an art career?
Those financial breakdown videos—juxtaposed with serene visuals of yoga, painting, and matcha—almost remind me of Andrew Tate content, if he were a mid-twenties artsy girl instead of a psychotic misogynist. I know that sounds extreme, but hear me out: both display a romanticized, curated version of their lives. Both say, “This lifestyle is accessible. You can have this too. Just work hard!!” And then he gets you to sign up for hustle university.
Now, to be clear, most cozy self-employed art YouTubers aren’t peddling pyramid schemes. But the message is still alluring: this isn’t just what I have, it’s something you can have too.
Is that true? I don’t know.



There’s one YouTuber I love, Uncomfy aka Tammy. I admire her so much: her words, her art, her energy, her apartment, her whole vibe. She’s definitely made the kind of videos I’m talking about. For a while, she was a major source of inspiration for me. But I’d also end up feeling inadequate after watching her. I’d wonder:
Why am I not mailing out hundreds of orders each weekend?
Why can’t I have that gorgeous apartment in Denver, that chill creative rhythm, that success?
Recently, Tammy posted a video announcing a big pivot. She shared that she’s no longer making handmade art as part of her business. Instead, she’s moving toward manufacturing goods and outsourcing labor. She opened up about the physical and emotional toll that making art all day took on her—how she often neglected eating, sleeping, and basic needs just to maintain the illusion of a cozy, effortless life.
Tammy seems genuine, and honestly, I’m so glad she shared that. It offered perspective. It reminded me that behind that aesthetic, there was real strain and sacrifice. It also made me feel less alone, less “incompetent” for not selling out my own shop every weekend.
(Though honestly, we shouldn't feel incompetent in the first place—but many of us do.)
In her video, Tammy also spoke about the emotional consequences of turning your passion into a business. She described the burnout that comes from making art prolifically, not for joy or expression, but purely to make money. That hit me hard.
Burnout is rough in any job. But when the thing burning you out is also the thing that gives your life meaning? That’s a different kind of grief.
Art is my solace. My sanctuary. My spiritual practice. It’s one of my reasons for being alive. If doing it started to feel like something that was hurting me—or if I had to stop altogether—I don’t know what I’d do.
So where do artists find balance within capitalism?
I think it would help if content creators shared more transparency around what their day-to-day really looks like. I’m sure it was hard for Tammy to come forward, especially given how much of her brand (and income) was tied to that image. But she did it. That’s brave.
I don’t have a clean conclusion. I don’t have a five-step plan for solving this tension. But I do think we need to keep talking about it—careers in the arts, what it actually means to be an artist, and why certain creative lifestyles get romanticized in the first place.
Just some food for thought. And it might take a while to chew.
The River Flows In You
An Artist Guide to Connecting with Water
Whirlpool 22 × 28
Why am I constantly thinking about whirlpools and vortexes? I long to be near flowing water—a river that spirals endlessly, a bursting gully, a wishing well where gold and silver coins spin into the depths, granting secret impossible wishes.
Whirlpools and vortexes pull you in. There’s a primal instinct, a magnetic force that defies explanation.
I don’t live near water, but I take what I can get. After work, I jog around a pond near my job. On weekends, I’ll drive out to New Braunfels, TX, just to get in a turquoise stream and feel it moving. Water takes you out of the humdrum, and transports you into another universe where time is distorted. This feeling is such a stark contrast of the capitalistic reality we are used to. Things are being shoved in your face. You look at your phone and there’s a million messages, a to do list 10 pages long, and at the end of the day it does not feel like enough. It can feel like everything is falling apart around us, especially now. This is how I escape that feeling. Just for a day or a minute…
Flowing water makes me reflect on what it means to be conscious.
Cloud + Whirlpool 22× 28
Book Look…
At the end of Hermann Hesse’s Siddhartha, the river symbolizes enlightenment. Siddhartha endures suffering, dissatisfaction, and a relentless search for meaning throughout his many lifetimes. But the river teaches him stillness. It becomes an allegory for contentment—for surrendering to the natural flow of time.
Maybe that’s why I’m so drawn to watercolor as a material. Watching pigment bloom and spread across the page feels like a meditation—like I’m trying to mimic the river’s rhythm in visual form.
Pansies 32”x40”
But water isn’t just serene. When it’s black, it becomes something else entirely—sublime, terrifying, and unknowable. It shifts into a symbol of death, infinity, and of everything we fear.
This duality fascinates me. Every time I am with water, whether I’m watching it move, utilizing it as a medium, or floating down a river, I feel like I’m touching both life and death. That’s what the endlessness of time feels like.
Hymns From Bladee… River Flows In You
WORKSHOPS
Watercolor: Painting Dreamscapes
4/20/2025
1-3 pm
2313 Beatrice St. #100 Dallas, TX 75208
Discover the unique beauty of granulating watercolors in this immersive class, where students will learn specialized techniques to create rich, textured washes and dreamlike effects. Using Gansai Tambi’s granulating watercolors, we will explore blooming techniques to bring depth and texture to our paintings. Students will be guided through the process of creating an ethereal, fantasy-inspired dreamscapes, embracing the unpredictable and organic nature of watercolor
P A I N T | D R I N K T E A | E A T S N A C K S
*Paintings available for S A L E
Email 4 Inquiries
Gender Revealed
Memoire of a Gender Reveal Cake from 2017.. WHY DO WE HAVE THESE THINGS?
This story reflects true events based on my memories with names changed for protection. Enjoy!
My first real job—the one I could actually drive myself to—was at a bakery in East Dallas. Every Tuesday and Wednesday during my senior year, I’d drive myself to school and then to work, feeling like a real adult who could handle things on her own. My coworkers were mostly other high school girls or young adult burnouts. This was ironic because it was supposedly one of the premier bakeries in Dallas. My manager, Dylan, was a ridiculously hot 28-year-old with tattoos who played bass in a band. He reminded me of Damon Albarn from The Gorillaz when he was younger. He had graduated from my high school, which I’m pretty sure is the only reason I got hired on the spot. Even though he was a decade older than me, I saw him as a mix of a forbidden crush and a best friend. He didn’t feel like a manager at all.
Then there was Walt, the other manager—a 40-year-old douchebag. I barely ever saw him because he was always “out on deliveries,” which really just meant he left early every day to take out his dogs. Dylan would head out right as I arrived at 4:30, leaving me and my teeny-bopper coworkers to our own devices half the time.
One Wednesday afternoon, my coworker and I were standing around having girl talk since it was slow. She was telling me about her first time going to a rave - a wook was offering her molly when a couple walked in, wanting to order a gender reveal cake.
At 17, attending a performing arts high school, I had zero interest in kids or family life. Most of my friends at art school were gay, trans, or gender-nonconforming, so the whole concept of a gender reveal cake felt cringe. But in the area of Dallas where the bakery was located, they were all the rage. If you don’t know what a gender reveal cake is, basically, you get a cake and put either pink or blue icing inside, so when you cut it open, it announces whether the baby has a penis or a vagina. So fucking weird and unnecessary.
The couple explained their elaborate idea—a Pokémon egg cake with the phrase, “He or she? What could they be?” We get it. People always thought they were being unique, quirky, or clever with these things, but 9 times out of ten, I’d seen the same ideas played out several times. I fake laughed with her about how cute the idea was. I always imagined myself role playing as Patrick from that episode of Spongebob when Squidward transforms The Crusty Crab into a fine dining establishment. The high pitched baby voice saying overly zealously, “MAY I TAKE YOUR HAT SIR?? MAY I TAKE YOUR HAT SIR??” was too spot on. That’s the persona I took on in front of customers.
Then the woman handed me a sealed doctor’s note containing the baby’s gender. I took it to the back, ready to jot down the icing color, but when I opened it, it wasn’t a simple “It’s a girl” or “It’s a boy.”
It was an entire medical record, pages of 10-pt font, filled with medical jargon about the fetus. Oh, shit.
I called my coworker over to help me decipher the mess. She was a little older than me, so maybe she could figure it out. Finally, after scanning through the overwhelming text, we found the word “female.” I scribbled “pink icing” on the order form and moved on. The couple picked up their cake that Saturday, had their party, and I didn’t think about it again.
Then came Tuesday.
I walked into work to find Walt staring at me, arms crossed, foot tapping. My coworker looked at me with wide eyes, silently screaming, "We fucked up."
Walt wasted no time. "Do you know how long I’ve been on the phone fixing your mistake?!" He was tall, slightly buff, with shoulder-length wavy hair—the kind of guy who definitely blasted Nickelback or Creed in his car. He wore bedazzled jeans with embroidered crosses on them and ripped-up graphic tees, convinced he was running the show.
"I’m not exactly sure what I did," I said cautiously.
"You screwed the pooch!" He threw the gender reveal order form onto the counter. "You ruined their special day. Their special surprise. The baby was a boy! Why on earth would you write 'girl' on the order form?!"
"What?!" My coworker and I were baffled.
"The doctor’s note literally said 'female'—how was it a boy?!"
"The MOTHER is a female, you dimwits!" Scot snapped.
Oh. Fuck.
"I’m sorry, Walt. They just handed me this massive document filled with charts and medical terms—I had no clue what I was looking at."
He didn’t care. Instead, he put his hands around my neck and squeezed, "pretending" to strangle me. He rocked his hands back and forth, “pretending” to kill me.
I locked eyes with my coworker, unsure if this was real life. Then I dissociated.
"Next time, little girl, don’t take any cake orders. Apparently, that job’s too grown-up for you."
I thought about telling my parents, but I was scared they’d make me quit. Looking back, I wish they had. Instead, I told Dylan.
"WHAT?!" He was furious. "That is completely unacceptable."
The way he defended me was kind of adorable. I imagined him as my boyfriend instead of my boss.
"I’m texting Rosalyn about this. Fuck that guy. He’s such a fucking asshole." Rosalyn was the owner. I had seen her once but never spoken to her, even though at this point I had worked there for about 6 months. I was worried that if she found out I was causing “problems,” she wouldn’t like me.
The next week, Rosalyn came into the bakery. She half apologized for Walt on his behalf, saying she had "talked to him about his anger problems" and that his behavior "wasn’t acceptable."
"I don’t think he’ll be mean to you anymore!" she giggled.
Yeah, right.
Every shift after that, Walt would smile through gritted teeth whenever he spoke to me.
"He fucking hates me," I thought.
Oh well. Dylan liked me. That’s all that mattered—for now.
Dallas Art Book Fair 2025
Thank you to everyone who came out to the Dallas Art Book Fair! It truly warmed my heart to see the city of Dallas show up for the arts, especially for something as niche as zines and books, haha! Watching people observe my art, even if they are just passing by is so unbelievably rewarding it makes me want to cry! I had an amazing time, and it's my favorite fair I’ve been a part of so far. I am eternally grateful for this community of artists, friends, and enthusiasts.
I was lucky enough to get a little feat. in the Dallas Morning News!
Let me tell you about my latest zine featured at the book fair, Eternal Recurrence. This zine is an interactive journey. Imagine your life on repeat for eternity. You do this to escape death, but is this solution really better? What would you do to prepare for the journey?
The process I used to make this zine was a process called Gocco Printing, which is how I’ve created many of my mini zines so far. A Gocco Printer is a mini screen printer from Japan with disposable bulbs and screens. I’m interested in this process for exploring death and mortality because there is a finite number of prints that can be made by Gocco printing because they no longer make the materials to do it. I have to scour the internet to find Gocco printing supplies.
Find out more about Gocco Printing HERE
SF ART BOOK FAIR RECAP
SF Art Book Fair Recap! Haul + Vibe
Last week James + I went to San Francisco and we were lucky enough to catch the tail end of their Art Book Fair!!! It was the biggest art book fair I’ve ever seen. There were at least 5,000 people there and we got there Sunday afternoon.
The vendors were all incredibly innovative. After seeing what they have on display I def understand why I was rejected from this fair. I have a long way to go, and it seems like I just have so much more work I have to make, and so much work to put into realizing my artistic vision. I know I will get there, but it will take so much more work and time. I am a baby, but I was there to learn and soak it all up.
San Francisco Art Book Fair
We splurged and purchased this gorgeous print by Courtney Sennish, a printmaker local to Oakland, CA. So cool because we both follow her on instagram so it was cool to see her stuff IRL. SF was dope af!! We will be back, and if youre an artist looking to see some cool shit, we highly recommend the SF ART BOOK FAIR
:3 MEOW WOLF TRASHION SHOW RECAP
MEOW WOLFS TRASHION SHOW - Piece display 2003 Garage Sale
7/11/2024 James Daniels (AKA CLIFFSIDE FLOWERS) and I participated in Meow Wolf Grapevine's Anniversary Show that was an amalgamation of performances, fashion, drag, and games, that came together to form a “Trashion Show”.
Our piece Titled "2003 Garage Sale" was created by collecting donated old electronic waste. This included everything from broken Xboxes, cell phones, wires, record players, you name it. Those pieces were one by one deconstructed to extract motherboards, chips, fans, and all the cool shiny bits that are underneath the typical beige and boring shell. The motherboards and chips were strung together, similarly to how chain mail is, in order to form an armored vest. Cell phones were linked into a chain with charms, the phones themselves acting as if they were jewels, despite their clunky nature. Old platform heels from high school became a collage surface for these green tech chips to be bolted into. I felt like the headless horseman, although instead of a pumpkin for a head, I had a 2003 gaming TV. We attached an N64 controller to give the illusion that I could be played.
I walked to a sound montage of snip its of our favorite old game cube games, such as Luigi’s Mansion that was a composition by m3 + my fwend Ava Blankmeyer. I walked onto the stage with the sound of of Luigi slipping with a “WOAH” and losing all his coins. I then turned on my TV that powered LEDS that made my eye SHINE.
The experience was colorful, overthetop, and carefree. Which is what I love about MEOW WOLF. All the other designers and modeled were insanely nice + cool. We are lucky we got to do this project together as romantic + creative partners!! Lets keep going. We even got a feature in The Dallas Observer which you can observe HERE
Costume by James Page Daniels + Kenley Turner
Model: Kenley Turner
Walk Track: Ava Blakmeyer + Kenley Turner
THANKS MEOW WOLF + SOUTHWEST AIRLINES FOR DOING THIS!
Playlist 5.27.24
Amateur Galaxy Weekly Playlist 5.27.24
Where did the time go? Here we are…
Yesterday I spent my whole day alone in my home working on art. The thing I’ve always wanted. But I was sad and lonely all day. What is wrong with me? When will I find the circumstance that is perfect for me? And why will I never be satiated? I am a spoiled brat. No matter what I get I will always want more and something will always be missing. Is that the curse of all artists?
Playlist 5.20.24
Amateur Galaxy Weekly Playlist 5.20.24
On a Roll….
I Need Somebody To Love - Sylvester
Nu Guinea- Disco Sole
Todd Terje - Preben Goes To Acuapulco
Maribou State - Midas
Parallel Dance Ensemble - Shopping Cart
Khruangbin - Evan Finds The Third Room
Parcels - Gamesofluck
DARGS - Lou's Tune
Flofilz - Inside Out
Arlo Parks- Eugene
Szymon - Feenicks
Nilufer Yanya - Hey
Maribou State - Vale
Maribou State - Manila
Klyne - Water Flow
Playlist 5.13.24
Amateur Galaxy Weekly Playlist 5.13.24
THIS CHARMING MAN
George Michael Freedom!
It Aint Over LEnny Kravitz
Dont Dream ITs Over Crowded House
Forget Me Nots Patrice Rushen
Smalltown Boy Bronski Beat
Just a Girl, No Doubt
A Forest, The Cure
(Feels Like) Heaven, Fiction Factory
Atomic, Blondie
Take Me To Church, Hozier
Have you ever seen the rain, Creedance Clearwater Revival
Hung Up, Madonna
