Playlist 3.11.24
Amateur Galaxy Weekly Playlist 3.11.24
Bruh Moment…
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.com
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Terry vs Tori ; David Alonso
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A Beacon School
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Luna Li
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A Seer Told Me What Would Happen in March…
An overview for what’s coming in March!
I am really excited to share my work in some really awesome DIY - artists-run events. I will be sharing zines in Dallas Art Book Fair + Riso Rama’s Paradiso! So honored to show work alongside some really amazing talent.
Come experience a workshop at Oil and Cotton! Transform a small space in “Small Sculpture: Dioramas Workshop”
Digital Art: Sticker Making Workshop 2.24.24
Quick recap of today’s digital art exploration through sticker making at Oil and Cotton!
I’m glad I was able to teach a sticker-making workshop at Oil and Cotton to share Photoshop skills and prepare files for dicutting!
Here are the skills we learned:
1. Eating yummy snacks 😜
2. Diverging ideas for design creation
3. Using Adobe Capture to convert images into vectors
4. Using Adobe Photoshop to add layers of color to complete images
5. Export Files for dicutting
6. Learning to prepare sticker sheets with laminate and send them through the dicutter!
The students were very creative and patient learners and I am so happy with the work they created! Learning photoshop can be daunting at first but they truly did amazing! People were approaching this from all skill levels, and I think everyone did great! I hope to stay connected with them. I hope to be a resource people can use. <3
Here are future workshops + events I hope to see you at!
Boyfriends Get off The Stage!
Women musicians love playing music with other women! Here’s why!
I’ve been a musician for about 12 years. I went to a performing arts high school for guitar and played in multiple bands, playing around town, and even got to tour a couple of times, with my main band The Bombs! I’ve noticed, by just a personal census, that band demographics have always seemed like girl singers with boy bands. You can have a band as long as there are boys in it to back you up. It’s not that there are no female musicians, there are just not nearly as many in the contemporary music world. Even when you think about mainstream pop music. There’s The Go Go’s, Prince’s band, The Revolution, and also HER, who’s fucking amazing (to name a few). There are tons of girl singers, but not really girl bands, or at least not enough to make it a regular norm. 
This year at the Grammys, Boygenius won Best Rock Performance and accepted their award wearing white men's wear, black Chelsea boots, and a pink carnation. A fashion statement commenting on the male-dominated competition in their category. After winning Phoebe Bridgers then ROASTED Neil Portnow, the former CEO of the recording academy, because 1. He is most likely a sexual abuser 2. He stated that women need to step up to the plate to be recognized! I don’t have any sources beyond Pheobe Bridgers, but honestly fuck that guy. It is very believable because (not exaggerating) all female artists have experienced this to some extent. Woman Singers - it is not out of the “norm” for a band to be front-manned by a woman. However, to get to this spot and shine female singers are often pressured by producers and other people in the industry to be flirtatious and submissive. Also if the band backing her is female, she is not treated with the same level of respect that a woman who is backed by male artists. Woman Instrumentalists - Just fuck Neil Portnow. EW. There are plenty of mediocre male instrumentalists that have countless accolades. John Mayer comes to mind… But the famous mainstream female instrumentalists that I can maybe count on both hands had to work twice as hard to get the recognition that they deserve. Also, I know plenty of female singers who can play an instrument but decide to just sing because the instrument was taken out of their hands by a guy. 
There was one very notable time when I was playing with my girl gang band, The Bombs, where this douchebag who was working sound approached us while we were setting up our stage. When we were ready to do soundcheck, he hollerED at us, “girlfriends off the stage NOW”. We looked around super confused because we weren’t sure what he meant. He looks at us disapproving and sassily pointing down like “get off”, not realizing we were THE BAND. We’re not asking for a lot, but it's 2024 and it's still somehow considered an astonishing accomplishment when a girl group wins best rock performance. also, we would like for people to assume that we’re the band if we’re on stage setting up. And we would like to not be sexually harassed. I am also white. What is it like for female musicians dealing with cross sectionality of experiencing multiple types of oppression by these fucking guys? I’m sorry ladIEs!!! 
On the flip side, playing music with other women is extremely refreshing. It is very supportive, and we have trust that another woman is actually capable of doing something, whereas I feel like men a lot of the time assume that we need help or just simply can’t do it. It’s a space where we listen to each other. This past weekend I played with an amazing group for Dharma, playing her new song, “Nobody Special” for NPR’s Tiny Desk audition. I was beyond happy when Dharma said she wanted to sing and play drums simultaneously. It was a very, “Fuck yes, we can do anything” moment. When we were playing I knew we sounded great, and we were all women, and we knew what we were doing. So, yes, Neil Portnow GO FUCK YOURSELF!!
Members:
Dharma Kikkeri ~ Lead Vocals + Drums
Nina Marguglio ~ Bass
Melody Tang ~ Keys
Kenley Turner ~ Guitar + Backing Vocals
Special thanks to Alex Owens of Pure Life Recording
Nihilism in Art as an Artist (Why I Love Zines)
I find this competitive nature of not just the art world, but society in general to be exhausting. I think most people my age do. For a lot of artists, like myself, zines hold space for a feeling like this. It is a space with no expectations and it can be anything or nothing, all wrapped up in something personal and tangible, like a book. Because of this, it is an object that rids itself of capitalistic competition in exchange for brother and sisterhood and community.
I don’t think I’ve ever seen more mental breakdowns, witnessed more self-doubt, or seen more feelings of depreciation than when I was in art school. But, at the same time, it was one of the best experiences of my life. I think myself, and my classmates all had this feeling of “why am I doing this? We’re going to be poor when we get out of here..” Not to mention the odds that my whole class was going to move on and continue to be an artist outside of school was very small. Why were we doing this?? Going thousands of dollars into debt to go into a field that is oversaturated, not really 100% beneficial to society, in a field that is known for not being lucrative at all?? We were doing it because for some reason we needed to. Within ourselves. And that’s a feeling that you can’t explain to other people who aren’t artists.
Leaving school, I think for everyone, is very difficult, and for an artist, it can seem challenging when there is no clear-cut path. When you leave accounting school, you go to work for an accounting firm. When you leave law school, you work at a law firm. When you leave medical school, you become a nurse or a doctor and work at a hospital. But then again, as someone who is not a part of the corporate world at all, there are many “normal” jobs that I don’t understand. For example, what do business people do? Business? I didn’t know what that meant as a child and I honestly still have no clue what that means…
The number of experiences for this varies for the number of people on earth, but going from school to the professional world is such an intense wake-up call. I’m like “Oh, people don’t want my silly undergrad work about fake Facebook pages in their art boogie ass art gallery?” “They mainly want large fake Jackson Pollock paintings?” “I really just wanted to make a video of me pretending to eat spaghetti made out of sliced-up steel sheets or a video of people pouring water on my head.” “That doesn’t make money??”
I know it sounds silly, but I find it hard that people don’t want to see you be as weird as you really are. You have to wake up early, and find something that will keep your lights on, and it's probably going to take up all your time. When am I supposed to even work on performances that are going to make me the next Marina Abramovic? Well, there’s only one of her and a million of us that want to be just like her. 9 times out of 10 I feel selfish for dreaming, but grateful for what I have.
I find this competitive nature of not just the art world, but society in general to be exhausting. I think most people my age do. We’re not FINANCIAL GENIUSES like Boomers. And we’re not Technological pioneers like Millennials. What are we? I think a lot of us are thinking it doesn’t matter. For a lot of artists, like myself, zines hold space for a feeling like this. It is a space with no expectations and it can be anything or nothing, all wrapped up in something personal and tangible, like a book. Because of this, it is an object that rids itself of capitalistic competition in exchange for brother and sisterhood and community. They become a tool to navigate our world with sheer intentions. Other art forms do this as well of course, but there is something about a homegrown zine that is the essence of what pure intentions of art-making are. I love every single one, especially the shitty ones.
